Out of nowhere?

Behavior has always fascinated me.  Understanding the reasons why horses react and behave as they do means that I can consciously make changes that will cause the reactions and behaviors to be more to my liking if that’s what I desire.  The following video came across my FB feed.  I’d like to pose this question to people:  Did this horse attack the man without warning?

The translation isn’t very good, but from what I can gather the horse is a stallion who’s had, at the least, some incompetent handling to this point.  The man that gets attacked, I believe is trying to sort the horse out.

Before I give my opinion on the video I’d like to digress for a moment and talk about two experiences I’ve had with horse behavior that were what I consider out of the norm.  I’ve often said that horse’s telegraph what’s coming next and that people just miss the signals because they aren’t paying close enough attention.  I still hold to that belief even though I’ve experienced a (singular) horse that didn’t *originally* tell me shit before losing his mind, repeatedly.

There was none of the usual signs you’d expect from a horse that wasn’t okay in the moment; no ear movement, no increase in body tension, no reluctance to move forward, no eye rolling, no change in respiration (no blowing, snorting, or holding of the breath), and there wasn’t anything new being introduced.  Not tack or exercise.  No changes in regime, turn out, food, or other management practices.  And no weather changes or astrological events.

I know at this point someone is thinking, ‘she had to have been missing something’.  Anything is possible, but I sure put every effort and resource into figuring the horse out.  I knew why the behavior existed, but I couldn’t for the life of me predict when it would rear its ugly head.  So I forged onward and spent copious amounts of time building the relationship, and then one day out of the blue it happened.

I remember exactly the moment the horse gave me the first obvious, clear and unmistakable sign that things were not okay in the moment and he was about to lose his mind – a singular smack of his jaw that rattled the bit in his mouth.  This was a horse that had always held the bit quietly in his mouth (no, I wasn’t trying out a new bit, it was one he’d worn for well over a year, and no, he hadn’t just got his teeth done), nor had he ever gaped his mouth, crossed his jaw or anything of that nature and here he was snapping his jaw while on a casual walk, on a long rein, in a field he’d been to hundreds of times.  That was followed quickly by an increase in body tension he’d never given me before.  I changed direction and asked him to move on a bit and he immediately relaxed and quieted his mouth.

The horse went on to develop other tells and soon I had the entire spectrum of horse-not-okay signals.  Those were followed up with all sorts of new and wonderful horse-perfectly-content signals, and horse-being-a-clown signals and so on.  He developed into quite the ‘talker’.

Currently I’m working with a horse that was exactly the opposite.  This horse was constantly yelling and flashing red neon signals, ‘I’m not okay! I’m not okay!’, even though there wasn’t a darn thing going on in the moment that should be upsetting him.  I did my best to reassure him that all was fine, but he clearly wasn’t buying what I was selling.

I forged on, concentrating on building the relationship, and lo and behold he started to believe me.  We’re a long way from the end.  He’s still not okay, but more times than not he’ll ask me first if he should lose his mind, and more times than not he believes me when I say, ‘you’re okay’.

Back to the video.  When I watched it the first time it appeared the horse attacked without warning and that just didn’t ring true to me from what I know and understand about horses, especially since it appears from the translation that this man understood this stallion was spoiled.  So I watched it again and paused it a few times to get a better look at the horse.  Sure enough the horse’s ears were splayed right from the start.   Then the left ear comes forward to focus on whatever is in the man’s hand – looks like a cow hide to me – indicating the horse is wary of that hide.  As the man approaches, he drops the hand holding the hide a bit and the horse’s ears go right back.  That hide is no longer acting as a ‘shield’ for the man and now the horse has the man lined up for the attack.  The action that prevents the attack in the next moment is to back off and lift the hide up again.

I also think the horse is verbalizing in a most unusual way in the video.  Turn up the sound and see if you think the horse is ‘talking’.

I hope the man wasn’t seriously injured, and I hope the horse was able to be rehabilitated into a safe equine citizen.  The lesson here is to never ignore what the horse is telling you.  If you don’t understand the conversation or the context, stop.

The Exceptional Gaits of Modern Dressage: What’s Natural? What’s Not?

The following article was written by Haley.  Some of you may remember her from this blog posting two years ago.  Hey, Haley, the readers may want to know what you and Flecha are up to, and what did or did not change from seeking input.

One of the basic principles of dressage training is that, performed correctly, it will improve a horse’s way of going. The back lifts, the steps become lighter, and the horse moves with greater suspension, balance and grace. It’s a beautiful image, and certainly worth aspiring to, especially when we are told this movement is beneficial to the horse. But is that what we’re seeing in the Grand Prix dressage ring?

To the casual observer, upper level horses in competition appear to have lift, suspension and thrust in spades. Here’s the horse many consider to be the epitome of such ideals, Moorlands Totilas, in 2009:

This stallion trots with such incredible bounce in his step that the gait seems to be a distant cousin to what our horses do at home. His extended trot takes him across the ring in the blink of an eye. The canter is a study in contained power.

Another stallion, Fuego XII, piaffes with snapping knees, and his front legs articulate with such reach in the trot that he seems to pull at the ground beneath him:

These two stallions represent modern breeding strategies. Let’s take a look back at Donnerhall in a video from, I believe, circa 1994:

I am not the movement, training and conformation expert Mercedes is. Therefore, I cannot say if what we see in this video is “better” or “more natural” than what we see in the previous two. But it’s easy to see that it is definitely different! The trot is light and elegant, but more subdued and with less airtime. The piaffe and passage express power, but the limbs “snap” less. The canter strides have a faster cadence and are less bouncy. What causes the difference between Donnerhall’s movement and the previous two stallions? Conformation, training, or both?

Here’s a horse that caused a bit of a stir on the Chronicle of the Horse forums several years ago:

In the walk, he stomps at the ground. At the trot, his front feet are flinging forward while his hind feet never seem to reach the midline of the body. There’s no doubt he’s overbent and his back is tense. One commenter said he looked “like two men in a horse suit.” Ouch! But the video led me to wonder: what does this gelding look like at liberty? How did he come to move this way?

We can get a good look at the before and after of a horse’s gait development as it comes along by looking at two videos of the same young stallion, Don Juan De Hus. First, let’s look at this recent video from February 2015:

This horse has a very articulated canter; his front limbs coming perpendicular to the ground before landing. His front end rises and falls like the prow of a boat on a choppy sea. Check out the still image of his piaffe at the beginning of the video, and his stretch at 1:16. I see a horse heavy on the front end in that still image (though judging just one moment in time isn’t always ideal) and overflexed and bent too far to the inside in the stretch.

It is interesting to watch his piaffe at 2:01. His hind end is more active than the front-not what we’re used to seeing! But looking at the angle of his front legs, it looks like he’s still not engaging his abs and sitting down. Could it be that activity in the back is leaning on the forehand?

Let’s see what he looked like when he was younger (2-2.5 years old, to be exact):

Here he is at liberty during a young stallion test. His trot is lovely and he’s excited, so those knees are snapping up on their own, no rider required. The canter is long and ground-eating. You get to see him use his back and haunches at 0:05, to evade his pesky handlers.

In the same video, we see him, still less than three years old, being schooled. He’s on a longer rein, his nose is frequently on or in front of the vertical, though he does tuck it in from time to time. The canter is big, but clearly adjustable. So in which video is he moving better? What does his body show us? And is his way of going now improving him physically?

I would argue that if there’s one thing we know for sure, expert or not, it’s that dressage horse breeders are selecting for more extravagant movement that comes naturally to the horse. Such gaits get big scores in the ring, and the stallions who pass this quality on to their foals are in high demand. But what happens when these naturally exceptional gaits become even more, well, extreme under saddle? Are they being improved? Are such gaits themselves detrimental to the horse (causing strain on joints, tendons, muscles and ligaments)?

One could liken the horses we see competing at Grand Prix today to the haute couture on the runways in Paris, Milan, New York and London: carefully conceived at great cost and meant to be worn-or ridden-by a mere fraction of the people who admire and aspire to having them. Certainly high fashion and high level dressage share many other similarities: fame is a commodity, money and influence determine the outcome of who gets access to the best the industry has to offer, and both worlds see their share of scandal.

For me, the horses of the dressage elite also share a similar role to that of the models chosen to wear high fashion. Both are subject to the preferences of individuals in positions of power. Is a judge scoring well for high knees and huge extensions the same thing as a designer telling a teenage model to lose even more weight? Of course not. But it’s important to remember that physical extremes by their very nature are hard to achieve and maintain.

Artificial or natural, pure or impure, innate or trained? Let’s discuss more in the comments! What do you think of the breathtaking movers we see in Grand Prix dressage? What do you think of the current state of affairs for breeding dressage horses? What is its effect on the breeds and the sport? Share your opinions on the videos. Let’s talk!

I’d like to thank Mercedes for the opportunity to write about this subject, and I sincerely hope you enjoyed reading!

Topline Summary #2 – Longeing (At Trot)

Longeing is an excellent way to improve our horse’s topline.  Without the burden of the rider, the horse can more easily find a rhythmic, relaxed and balanced way of going.  The circle naturally encourages a deeper, more center bodied step from the inside hind, triggering the cyclic action of the ring of muscles.  This, of course, still relies on the skills of the person doing the longeing.  Letting a horse race around on the end of the line braced in counter bend, leaning on a shoulder, and escaping out the haunch is useless to the horse and does damage.  Picture #46 shows an effort towards correctness.

46. Topline46

Unfortunately, the effort is not entirely successful.  I’m making the assumption that the person at the end of the line is in the process of fixing this horse, rather than ruining it.   I could be wrong, but it’s the impression I get.  The horse’s tail is held in that lifted, but relaxed position we like to see with no apparent swishing, there’s suspension to the gait, the inside ear is on the handler, the eye soft, the line giving.  And while the sidelines are a bit of hindrance, they aren’t the reason the horse doesn’t get to the desired result.

The horse is taking a good step behind, reaching forward to the back of the saddle.  A great step would be under the weight of the rider.  This horse has plenty of potential to take a better step with a decent hip length and a very good femur to tibia ratio (nearly identical).  It’s a riding conformed hind leg.

We can clearly see an abdominal line indicating the horse is using them.  The biggest hindrance for the horse is the injury to the loin.  There is a noticeable hollow in the loin with very tight, angular muscling.  This shouldn’t be, and it’s quite likely that if we could see this horse without the saddle, that topline tightness and angularity would continue all the way to the withers.

Moving to the front end we can clearly see the tubular complexus muscle engaged and working.  The problem is that it’s uneven.  The muscle is very evident in the first third of the neck and then begins to fade until it disappears well before the shoulder.  That muscle should be equally engaged the entire length of the neck and right to the shoulder.  The crest of the neck also shows this irregular usage with flatness starting at the poll, then some arching that peaks just beyond the throat line, to then flattening, and finally dipping a bit just before the withers.  The latter half of the crest also thins.

The horse’s throat is closed, and the horse is behind the vertical evading the contact of the side reins.  Yes, even though they are loose.  This added to the loin issues causes the horse’s shoulder to be blocked, and the horse to take a shortened step with the foreleg.   Essentially this horse is compressed from the back and the front.  Contrary to popular belief, this is not collection.


Picture #47 reflects all that is wrong with the industry’s knowledge base.  You can not tie, pull or hold a horse into collection and this horse shows it.

47. Topline47

This horse has a fabulous hind end.  Big hip, femur clearly longer than tibia, breadth and depth of loin.  There’s power and potential galore, and absolutely no need for this contraption.  If the haunch was lacking, this horse would be physcially suffering far more than it is.


It’s easiest to see what’s gone wrong by looking at the horse’s front end.  Throat is closed.  (Hard to see on a dark colored horse like this, but if you enlarge the photo you can see what we’d call on a person, a double chin.  The crest of the horse’s neck forms a wave, flat behind the poll, then arched, then dipping before the withers.  There’s no evidence of complexus muscle, which there should be with the horse stepping as deeply from behind.  There’s also no evidence of abdominal contraction.  The back and loin are showing tightness.

A final point is the longe line attached to the inside bit ring.  This would be equivalent to a rider riding on the inside rein, which is exactly not how we ride, especially not a circle.


The pony represents the most engaged (and correct) trot of the group, and therefore the one stretching and improving its topline the most.  It has nothing to do with the handler and everything to do with the dog.

48. Topline48

Lots of hind limb joint articulation.  Even, full arching, and reaching of the neck.  Slightly ahead of the vertical with an open throat.  Wither and back lifted.  A taller dog might produce a higher carriage.  :-)


It’s a shame we don’t get to see horse #49 without its clothing.  I’m unsure of the purpose of putting boots and a bridle on a horse to longe it, but leaving the blanket on.  If there’s a concern for the horse catching a chill (if it’s clipped and it’s a cold day), leaving the blanket on while being worked risks over heating the horse.  Maybe someone else can come up with a plausible explanation.

49. Topline49

Despite the blanket being on, we can still glean some information.  This horse is just moseying along and yet he? is taking a bigger stride behind.  Is he just that well conformed behind?  While the blanket may be restricting shoulder movement a bit, we can see that the main culprit is a short humerus that barely makes 50% the length of the scapula.

Secondarily, the neck shows poor development even while looking well-structured.  I’ve circled an obvious lump in the neck that shouldn’t be there, and I suspect the vertebrae are jammed.

In terms of topline development:  Neutral.  If your horse moves like this on line, you’re not doing anything good or bad to its topline.


(My apologies for not being around of late.  Busy training horses and the last thing I feel like doing at the end of the day, when I’m tired and warn out, is doing more horse related things.  This is a fine time (and I’d welcome it!) for anyone interested in writing an article for the blog to submit it at thehoovesblog@gmail.com.)

The Way We Move

Stumbled across this video that gives us an inside look at our body’s workings when we ride.  It’s easy to imagine what happens to that movement when individual or groups of muscles are either tightened (like the lower back), or under utilized (like the core), or there’s lateral imbalance with one side being more flexible than the other (which can be from general one-sidedness or injury).  Take it one step further and think how that can also affect the horse.



Am I Talking Gibberish?

Recently I happened upon this little essay about the experiences a riding instructor had with two very different students, and it got me wondering if I’m speaking the right language here on the blog.  The whole point of my Hooves efforts is to help people understand why horses move as they do, why people experience the behavioral and physical problems they do with their horse/s, and why it’s important to pick a horse physically suited to being ridden AND the job it’s being asked.  If I’m not conveying those things in a manner others can understand then it’s all for naught, which means the horses pay the price for human ignorance.

I, therefore, encourage all to speak up.  If it’s not making sense to you, tell me in the comment section that you require I speak/type in a different language.  I’ll do my best to try and explain in a different way.  I assure you, I’m not sitting on this side of the Internet thinking you’re stupid.  There have been plenty of times in life when I’ve been lost before the end of the first sentence and needed my hand held until the light bulb came on.  And if you ever find yourself in a riding/training lesson like the engineer or the artist – unable to connect the dots being laid out by the instructor – say something.

Topline Summary #1 – Gaited And Saddleseat

The questions posed in the opening topline article were:

Can you identify which riders are helping to improve their horse’s toplines, which ones are not?
Can you identify what rider changes would help the horse be able to move more correctly?
Can you identify which horses are fighting significant conformation challenges?
Which ones are likely suffering injuries?
Which ones are just suffering bad riding?
What else pops out at you when looking at the pictures and comparing them to each other?

The first question is easily answered without looking at the sample set of horses, or any horses for that matter. What often makes a gaited horse soughtafter is the smooth ride it offers. By tightening its back and swinging its legs in various timed gaits, the horse eliminates any need for the rider to have a supple lower back to avoid bouncing like a sack of potatoes. Great for ease of ride and great for rider comfort, especially if suffering from certain injuries. Not so great for the horse. It’s hard to find a gaited horse that isn’t displaying the negative effects of being a hollow-backed leg mover. Adding speed (see article: Speed Kills) to the gaiting increases the negative factor for the horse. Saddleseat horses are often not gaited, unfortunately the exaggerated chairseat of the rider with horse’s head pulled up to the sky by huge shanked bits does the exact same thing to the horse as gaiting. Current conformation trends in many gaited and saddleseat horses, like over-angulated hind legs via excessive tibia length, make it that much easier for the horse to hollow its back.

It is imperative that these horses are regularly cross-trained with a specific focus on non-showing frames and non-gaiting gaits. Plenty of long and low, groundpole and cavelletti work, stretching, massage and all exercises that promote true and real engagement to counter the ill effects of constantly carrying a rider around on the forehand with a hollowed back, base of neck dropped, and hocks trailing. I can hear the shouts from people, ‘Doing that will ruin the horse and its ability to gait and perform correctly for shows!’. Um…yeah…NO, IT WON’T. Jumping a horse never stopped if from being able to do a piaffe, cut cattle, or jog slower than I crawl backwards. I’ve cross trained gaited horses. They all physically and mentally thrived on the variation in work. The result was an improvement in their gaiting.

Keeping the above in mind, let’s take a closer look at our sample horses 1 thru 8 & 8a.

The first three horses are Icelandics, as everyone guessed.   Rather than repeat the great information posted by jrga, see her comments below which I’ve italicized.  I added a couple of small comments.

jrga posted:  To address 1-3, without researching to make sure, I would say the first three are Icelandics tolting in the fastest gait, basically the equivalent of racing. Given what we’ve covered about the difference between racing and riding, one would not expect to see the roundness, lifting of the base of the neck, impulsion, etc. of collection at this gait. Speed is inimical to collection and vice versa. Collection asks for energy upward, racing asks for energy forward to cover ground.

Icelandics are not particularly uphill, they are all around horses, meant to carry great weight, act as drafts and for riding. As ponies, they are known for their stoutness, short backs, strong backs – meaning well place LS joint – breadth across the back, and of course you get a short neck not inclined to a graceful arc with those goals. But you did get an animal that should eaily develop a double back and still show good muscling.

I love the little grey, the rider, like most gaited horse riders tends to be at the back of the saddle and a little braced, short rein that does not encourage any roundness, but this rider has given more rein to let this little guy stretch and uses a snaffle, not a big long shanked bit as an ASB or TW might be toting in America. Further the rein passes above the base of the neck which would allow rounding more easily if they weren’t moving at speed. The horse is not particularly broken back in the neck, but does show enough muscling under the neck to indicate that he spends some time that way. He is fairly deep at the loin girth, a sign of the back strength, and has coiled his loin to the maximum. His ungrounded hind foot shows one of the maxims, the lower joints of the leg reflect coiling of the loin, the lower joints can’t close more than the SI but if operating correctly (ie, without injury or bad tight muscles in the butt) will close as much. This guy has a small butt, looks fairly smoothly muscled with some tightness in the cats, but for such a short legged guy with a little butt, that foot is going to meet its maximum potential to reach forward and hit the ground and push while still under the butt to some degree. If the rider were a touch better balanced over his/her feet and closer to the withers, and varied his work routine to include suppling and rounding with this guy, the couple of small issues of tightness in the cats and the undermuscling would be improved and that would probably improve the other gaits that are not intended to be racing gaits.

I think jrga was being kind about the rider’s position.  He’s collapsed his core, rounded his shoulders, broken his wrist with the left hand held higher, tipped his weight into his toes and has his butt hanging over the back of the saddle, which I feel is placed a bit too far back, such that he’s pretty much sitting right over the loin.  But he has been kind to the pony’s mouth.

What I want people to most understand here is that despite the gaiting, the speed, and the rider position – none of which help the pony to develop physically to protect itself – this pony exhibits minimal issues because it’s just so solidly built.  Its conformation is looking after it for the most part.  Just some basic changes in the day to day training routine to, as jrga says, supple and round would have this individual in optimum muscular health.


The second horse (dark bay or seal brown), whatever his coat color would be called, is a slightly different angle, but I would say at this moment, a tiny touch less broken back than number 1 as a matter of everyday riding, though still the characteristic heavy short neck that isn’t going to look like a pretty rainbox arc of an Arab on its best day. Again all the same breed characterisics, wide, broad build, deep through the loin girth. Maybe a little bit tight towards the rear of the glutes. Showing excellent reach and a touch more balance toward the collection continuum, note the hind foot has left the ground, not even the toe is grounded out behind the horse, pushing less, going up more. The outside hind is going to ground about the same time as the inside fore leaves the ground, there could be a tiny moment of suspension, the hind will also be well placed up under the body, the outside hind also differs in the angling of the leg, it will land slightly more to the inside of the body shadow, typical of a slight bit more roundness (not ‘collected’ but remember we are talking about a continuum from totally hollow to totally rounded up into a mamimum drawn bow look.) The rider is also a little to the back of the sadlle, but overall still better balanced, probably very capable of riding this horse round, and given no absolute horrible hollowness along the top line, though maybe not as fully rounded as the muscling of the loin and glutes could be, probably spends time suppling this horse.

A pony with even better conformation (bigger hip, deeper loin, neck closer to medium in length), and with a rider/trainer who spends some time doing other ‘stuff’ to help the overall health of the pony.  The hollowness of gaiting at speed in evident in this photo – flatness in the loin and dropped base of neck – as would be expected, but it’s really quite minor.  Someone is doing a great job with this pony.

The major point to take away from this is that doing correct non-gaited training/cross training/ doesn’t harm the individual’s ability to a) gait, or b) be fast, or c) gait and be fast.  Indeed, it helps the individual be better and healthier.


The number 3 horse is very hollow at this moment, back clearly dropped. The muscling shows some angularity and tightness, the neck is clearly broken back and the rider has the ‘watersking’ on the horse’s mouth look going. This horse also has the least amount of depth to the loin girth, a weaker structural issue that should be addressed.  The rider is well balanced with in him or herself, but again, more back in the saddle and bracing. Could also be we’ve caught a little guy out for a run in the great outdoors who is ‘running away’, but the muscle and loin girth suggest that the broken back neck, running against bit pressure is typical. Nevertheless, the leg position is almost identical to the number two horse, also supporting the idea that this may in fact be one of those rare moments in time where the picture caught a bad moment. If this a young horse, then the muscling may be a little bit juvenile in that he hasn’t been in work long enough to have developed weight carrying ability and the depth of loin girth an older hose would have. So in essence, we see a bit of a contradiction in action, broken back, hollow, some muscling questions, but still the rear legs are moving fairly freely forward to carry weight under the body, though at basically a running gait. Again, a horse that needs more suppling work to insure that he has full flexibility and good muscling over all, while still understanding part of his job his to move at a racing gait.

I agree with the ‘running away’, I think this one is going for all its worth and regularly does so.  Best rider positioning of these three, but also the most inverted way of going.  Think about that for a second – most balanced riding paired with the most inverted way of going.  It’s a contradiction and why jrga was giving some possible reasons why that might occur.  Regardless of the reason, this pony would benefit from working in traditional gaits with a goal of suppling and rounding.


The next individual shows another conformation trend (besides the overly long/over-angulated hind leg) we see in a number of gaited breeds – a trend we’re also seeing in non-gaited breeds – that makes life more difficult for the riding horse; the long neck.


Because of the use of leverage bits, the handsiness of people, and the widespread ignorance of  how a horse achieves (and should achieve) coming onto the vertical, most people should avoid long-necked horses like the plague.  The usual outcome is some form of pretzel, in this case a pinched throat and bulging, over-developed base of neck.  Something I do really like about this horse is the cleanliness of his legs/joints.


Once again I copy and paste a portion of a jrga comment addressing conformation of this individual.  This looks like a Tennessee Walking Horse, fairly ordinary in the smallish butt (no TB or QH butts by percentage of body length), total hind leg length is long with a little too much in the gaskin by length. But this is a breed choice, the belief is that the horse will move in gait better with that long leg and to a certain extent that is true, but like most human choices for horses in the 20th century, it can be exaggerated. He is long of back, adequate but not great loin, neck too low, point of shoulder could be higher, long in cannon, but again, a typical breed choice, believed to give the high action desired in the big lick walk. Together, not a riding horse conformation. The good things, he is not pulled back into the elk neck, has adequate bone and he has normal feet, no stacks, huge elongated toe, etc.

I can’t stress enough (again) the importance of the wrong breeding choices we make because of a basic ignorance for what traits produce what actions in the horse.  We then perpetuate those mistakes by buying these horses from the breeders.  And I don’t care if it’s a small time or big league breeder.  If there is no market, there is no money to be made, the breeding will stop.  Yeah, yeah.  I hear you.  Conformation isn’t everything, temperament, personality and other intangibles are important.  For just one minute consider your body and what you’ve discovered over the years that your body will not allow you to do.  Now imagine someone forced you to do that thing you’re body was never built to do, day after day, week after week, month after month, year after year, and during that whole time you had to put up with abuse, intentional or ignorant does not matter in the end.  How are you feeling now about a horse not built to effectively or efficiently carry a rider?  Thank God for that awesome temperament, eh?

I highly recommend everyone go back and reread jrga’s full comment about this horse and the subsequent conversation about bits (and other things) that ensued.

The next gaited horse (Missouri Foxtrotter if I remember correctly) has found a different way to deal with human handsiness; evade by going behind the hand/bit.  Don’t be fooled by the sagging rein, there’s plenty of ‘contact’ going on here via the weight of the split martingale, and this horse has seen plenty of direct hand contact in the past.  Note the flatness of the neck directly behind the poll.  That’s always a clear indication of forced framing.  Why this horse chooses to evade contact in this manner has mostly to do with the difference in neck structure.   This horse’s neck is set on a lot higher than horse #4, it’s very Arab-like in its structure.  You’ll see many of those swan-necked Arabians with that flat, locked upper neck development.


I also wanted to point out the typical, tremendously exaggerated hind leg length on this horse.  Despite that, and the rider imbalance, this horse manages not to trail the hocks in this moment because of the wonderful hip and strong loin.  This horse has far more potential than the previous to be able to carry its rider without doing damage to itself.


The next picture is all sorts of wrong.  What keeps this horse going is its mostly very strong conformation.  The tibia is still far too long, but there’s so much other structural strength that the horse overcomes it.  I refer you again to a jrga post where I’ve bolded points I was going to make, those particularly addressing the systematic destruction of the horse – not just this one specifically, but all horses.  Don’t ignore the rest of her post.  The nuggets of information about the spine, head twirling etc… are invaluable.

Horse 6. The one many felt was painful to look at. Of course it is, which is why we should look all the more closely. Because this is the logical extreme, ie, the worst of the worst of what not to do. Ultimately, you need to look at lots of good so you can imagine yourself in the same body position, same lack of tension, same giving, open posture of body, arms and hands. But first you need to know why this is so horrible, and yet it is the embodiment of the philosophy of many horsemen about how horses work. And it is wrong, wrong, wrong. Yet it is defended, admired and pursued by many. It is unconsciously pursued by many in lesser forms as they seek to hold up a horse’s head, or to make the neck arch through rollkur, or lower the head through devices, or control a horse that gets too strong with heavy hands and stronger bits, to create ‘frames’, to rock a horse back on its haunches like it was a rocking chair on rails, to use a Passoa system to pull its frame together, or any other number of absurdities. Yes, absurdities of thinking that people don’t want to let go of because that is what they saw rewarded in the show pen, or what their first teacher taught them or how they’ve ridden for years and it works pretty good, mostly, except sometimes.

So go back to some old threads with skeletons pictured and re-read them. Study those bones, and think about how they fit together, and how those interior structures, determine how the outside looks, but more importantly, how it will move. Those bones are rigid, the joints supply some flexibility, but they only move so far and, in most cases, in very limited directions. Any time you ask them to move in a way they were not meant to move, you are setting yourself up for failure, failure to achieve fluid movement, failure to get cooperation from your horse, and ultimately, failure of your horse’s health and well being. No one should deliberately choose failure for their horse. No one reading this blog should choose ignorance and, thereby, failure for their horse.

Number 6 is one of the better conformed horses (not perfect, but nicer than most) for riding of all the horses pictured. What is being done to this horse is criminal. It represents every bad idea in horsemanship, except the tie down device that was left off because they can’t be used in the showring, but you know they use it in training.

Look at the spine first. The spine is what you ride, it should be as close to level as the horse’s conformation will allow when you are sitting on it, it should be flexible enough to lift, from the arc of a bow as it is tightened, and then to relax, actually go hollow, as well as bend side to side within the limits allowed by the vertebra. In this case, this horse is built close to level, with minimal training and strengthening of the belly muscles, this horse can easily carry a rider’s weight because it comes naturally to this horse. So where did it all go wrong?

In the most fundamental way it went wrong because the rider rides from a fundamental misconception. A horse doesn’t move like a rocking horse, it doesn’t rise in the front end by its head coming up and back, its back going hollow and its butt going down relative to the head. You can’t rock a horse back onto its haunches. It’s a phrase that gets used, but it is not what happens anatomically, so any attempt to rock a horse back will ultimately fail and the horse will get sore. So lose the thought. Replace it with a new fundamental image.

To create a horse that can carry weight (carry weight) on the haunch and free the forehand from its purpose of carrying most of the horse’s weight at rest, you work with the spine, the whole spine from tip to tip. The spine starts at the atlas where the horse’s head meets the first vertebra. That is the joint in the neck that provides the greatest range of movement and also serves as alock that limits the movement of every other vertebra in the spine. At the atlas the head can move the nose out, tip it up in the air, tuck it back to its neck, turn side to side to a certain extent, and make the most powerful movement of all, to offset the nose slightly and tuck the head/jowls to the side of the vertebra column. Deb Bennett calls it head twirling, others might call it release or a give, it is the position from classical literature in english riding where one sees the eye on the inside of the horse. Why is it the most powerful movement the horse can make? Because it is the movement you can’t take from a horse, he has to give it, but it is the key to unlocking the poll and freeing the rest of the spine to achieve maximal movement in a soft fluid bend side to side, and to lift. You can push and pull the neck into any number of contortions, but it will involve vertebra behind the atlas and you will always be pulling and holding that position, feeling sides like cement even if the horse moves laterally and never get the hind feet to engage and fold and become the loaded springs that carry the weight of the horse on the haunch, freeing the forehand of its normal extra share of weight.

Horse 6 shows a bulge of muscle at the poll, that sucker is locked tight, it can’t release any more without physical therapy. That big old long shanked bit, the rider water skiing with hundreds of pounds of pressure distorting the jaw so the horse looks parrot mouthed, pulling the head back, hollowing the spine, making the legs stiff, look at the fine muscles of the upper legs straining to move feet they weren’t designed to move, causing contortions of the tendons and check ligaments, ruining the horse’s legs, setting it up for injury and pain, damaging the ligaments in the back, and destroying the mind and spirit of the horse. (Making a note here:  I blew the picture up and I don’t think the horse has a bit in its mouth, I think it’s a hackamore.  That doesn’t change anything about what’s been said.)  And we don’t even have to mention how cruel and useless those weighted feet are and how they multiply all the negative affects just mentioned.

So you start a horse in a bosal or a snaffle, not because it is a kinder bit or softer or any nonesense like that, but because by the lateral affect of the action one can ask a horse to release at the atlas, to give, and unlock the spine. That’s why a told Blondmare one always rides with a bend, because that atlas is unlocked one side or the other every step it takes, or you stop worrying about taking steps until it does. It really is that important to unlock the spine. And you can’t pull it out of a horse, hold its head down with devices, or get it with a curb bit.

So you either learn to unlock the atlas correctly and then gymnasticize a horse that has given you control of its spine, or you do to some extent what is being done to horse number 6. Your choice. Learn, or to some extent, make every horse you ever ride, uncomfortable. It won’t be perfect, it won’t always be easy, there are times you will fail. I still fail. But at least I know it and I start over to do it right and change how I do something. This is not about disciplines or believing only one school of horsemanship has all the answers. The answers are with the horse and how its body works. Work with it or against it, those are your choices. Only one of those choices helps your horse.


We can be happy about this horse being ‘flat-shod’, but that’s really about it.  Well, and maybe we’re happy about the luxurious mane?  This horse has travelled hollow for a very long time.  It can’t help it having had its head held up with that leverage bit fully engaged by piano hands through a bent wrist, the rider in an exaggerated chair seat putting his weight back on the horse’s loin.  The hand riding has caused the horse to pump the front legs like pistons with no reach – I guess that’s what they want, though it’s detrimental to the horse.  That hand ride along with the rider positioning has tightened and dropped the back, blocked the hind legs from coming forward, and prevented any sort of engagement.  The result is stringy, piano wire tight muscling, an inflamed sacrum, a thinned and stressed loin, an atrophied back and bulging abdominals.  I expect that if we could see this horse without rider and tack, that we’d be looking at a mechanically induced swayback.

Something that’s difficult to see without the image blown up is the landing and takeoff of the hind feet.  The left hind is just starting to land, and it’s going to land outside toe and wall.  The right hind is twisting as it takes off from the ground, currently pushing off the outside of the toe.  This can be a result of foot imbalance, leg crookedness that we’d only be able to see from behind, some other conformation trait such as excessively long tibia, lack of muscular lateral stability (specifically abductors and adductors), or some combination.  I believe we can conclude its a combination of some of those with the catalyst being: because the horse is trained and ridden in a way that is detrimental to its health.


The next horse in this segment is neither a gaited horse nor a saddleseat horse.  The photo annoys me more than anything.  I include it to make a couple of points.  One, an itty bitty rider on a big truck of a horse can in fact negatively affect said big truck; the chair seat, rider sitting closer to the loin, and the artificially high held hand on a too short rein – curb fully engaged – causes this horse to hollow and trail the hocks.  And it’s a real shame.  Though this is not a horse intended for riding, it could be ridden much more correctly, and thusly to the horse’s benefit, without too much difficulty.  That’s what annoys me.  This isn’t a hard horse to help in the scheme of things.  It’s got some really strong conformation traits, like that incredibly short, deep, strong loin, massive hip and deep pants muscling.  Two, dressing the horse and yourself up in different attire doesn’t make it so.  It might be cute.  It might be fun.  But have no illusions.  If you want to call it ‘cross training’, then do it right – for the benefit of the horse.  Yes, I’m thinking about Western Dressage in this moment as well.


I want to end this summary with an additional photo (8a) I came across after posting the original article and compare it to #2, though we’ve got different angled photos.   I love this photo and I’m aggravated by it all at the same time.  It’s the right idea, but not quite followed through.

  • Again with the leverage bit, even though ridden on a much longer rein.  Still it’s caused the horse to get jammed up in the throat and base of neck.  The over-development at the base of neck is a clear indication this isn’t a one time only thing.  I just want to scream, ‘Get off the face!’.
  • Rider in an exaggerated chair seat, sitting on the loin.


Despite those things compare this longer, lower frame gaiting with the more traditional shorter, higher frame gaiting.  8a shows:

  • slightly lower knee action – forearm just below parallel compared to forearm just about at parallel for #2
  • longer front leg striding – knee reaches to chin and lower leg straight to toe compared to knee behind chin and lower leg curled, and planted front leg is under the horse’s loin compared to planted front leg at mid-body
  • not quite as much hind limb articulation for 8a, though the loin is rounder and fuller indicating plenty of loin coiling, muscling in general on 8a is rounder, softer, fuller
  • hind stride shorter – hock reaching to mid-pelvis compared to hock reaching to point of hip in #2 and thrusting from a more ideal point

Undoubtedly portions of these differences are conformation related.  As an example, 8a is not as proportionately long in the hip, and has a femur longer than tibia vs a femur shorter than tibia for #2 – proving to all those gaited breeders out there that you don’t have to breed in a ridiculously long tibia for a horse to gait.  8a also proves that you don’t have to crank the horse’s head up for the horse to gait, and that doing so will (in all horses) cause the front legs to shorten stride and piston more.  I understand that’s desired, but in doing so you reduce range of motion throughout the entire front end, in turn building unhealthy muscle patterns and seizing joints.  You also increase the pounding on joints and feet.  It’s akin to us taking little steps while lifting our knees abnormally high and stamping our feet.

So 8a doesn’t win a ribbon because the gait isn’t quite even front and back, or there’s not enough knee action, or, or, or, but 8a allowed to lower its frame and stretch its topline like this makes 8a a healthier horse.